I caught the second to last show on the Black Dahlia Murder‘s American Defloration tour at Mr. Small’s on March 23rd.

In all honesty, I had very little interest in the Black Dahlia Murder. I went for Obscura, which is one of the best technical death metal bands I’ve listened to. I had listened to a few Augury songs as well, and they were very interesting, so I was pretty excited to see them too. And I had never heard of Hatesphere.
At the last Cut meeting before the show, I mentioned that I was going with Rebecca (who’s been my concert buddy all year), and another Cut member who I had briefly talked to said that he was going too. So, naturally, we went together because three people splitting a cab fare is better than two. We get to the theater early, as is our style. The doors open a few minutes after we got in line. As we neared the open door, a very metal looking guy with long, straight hair and a band hoodie walks out, holding a video camera aimed at us in the line. He walks by and gets some shots of the other end of the line. We get inside and snatch a spot one person back from the stage on the left side, kind of near the speakers.

The pre-show music coming out of the PA speakers was NOT metal, which we found kind of odd, but the audience and the conversations certainly were. One of the guys standing near Rebecca and I was wearing an Animals as Leaders shirt, which made me kind of happy, because Animals as Leaders is a fairly obscure, really, really good instrumental metal band centered around 8-string guitarist Tosin Abasi (who, by the way, is just a really, really nice guy. You would never guess that he’s a heavy metal musician). Anyways, the guys from Hatesphere start tweaking their stuff on stage. The drummer is wearing a soccer jersey with the number 666 on it, which I thought was pretty cool. Turns out, they’re from Denmark. The singer was beaming the entire set, which was kind of funny given how heavy their music is. They’re not nearly as technical as the bands that followed them, but it was a good opening. I made a face at Peter “Pepe” Hansen (the guitar player right in front of me), and he ended up throwing his pick at me at the end of their set.

Hatesphere
Even though they were the opening band, they managed to get a circle pit going, which Rebecca briefly partook in. They finished their set and Augury came out to set up.
The three opening bands actually all played on the same drum set, only changing out the cymbals, which I thought was interesting. The bassist played a really pretty six-string bass, and he was quite good at it. I recognized the drummer as the guy who was video taping outside as we were walking in, so that was pretty cool. We definitely got in his video. The vocalist was really entertainingly odd, kind of reminiscent of Devin Townsend. Rebecca and I were talking about it afterwards, and, as it turns out, the guy in the Animals as Leaders shirt was at that show in Cleveland too! It was kind of a funny coincidence. One of the hallmarks of their show is a kind of solo-off guitar solo style, where the two guitar players alternate solos. It makes it really interesting to compare their styles.

Augury
They played really well, but I was excited for Obscura. They finish the set, and pack up. The drummer comes to the front of the stage, and is high-fiving the front few rows. I was one of the lucky ones who got a high five from him.
Obscura comes on stage, and the vocalist/guitarist Steffen Kummerer is playing the most radical looking guitar I’ve ever seen a band play with live. I don’t even know what kind of guitar it was. They introduce themselves as Obscura from Germany, and some guy in the audience yells out “WEINERSCHNITZEL!” It was pretty funny. Jeroen Thesseling, the bass player, was playing his usual fretless six string bass. One of the things that makes Cosmogenesis so awesome is how the bass punches through the mix on certain passages, and since Jeroen was right in front of me, I was expecting nothing different from their live show. They open with “The Anticosmic Overload,” followed by “Choir of Spirits,” true to the track order on Cosmogenesis, and the bass/drum/guitar mix was fantastic. I was a little disappointed by how little I could hear of the lead guitar player’s leads, since he was on the other side of the stage, but overall it was a great sound. They played a few more songs from Cosmogenesis, switching the order up a little, then broke for a drum solo.

Obscura
They continued with a few more songs from Cosmogenesis, and finished up with Centric Flow. I knew all of the songs pretty well (though not by name) so when there was a break, my pounding fist would stop momentarily, then pound again when the song continued. Or if there was a complex rhythmic pattern, I would sort of express it with the rhythm of my hands.

Steffen Kummerer
Steffen looked over at me at one point during which I clearly knew the rhythm of the song very well because I was pounding out the rhythm with the pauses and triplets and stuff with my hands, and he nods and points at me with a little smile. When they played Centric Flow, it was amazing. They played it flawlessly. It was so good! It’s such an incredible song. They finish their set, and pack up. As Steffen is crating up the amplifiers on the side of the stage right in front of me, I kept trying to get his attention by pointing at him. Finally, he looks up, and I point at him, and shout “YOU!” He looks over at me, and I yell “yeah, you! You’re awesome!” with a thumbs up. He smiles, and finishes up what he was doing on stage, and leaves as the Black Dahlia Murder set up.
In the dim between-set stage lighting, the guitar player’s guitar practically glowed on its own. It was a bright neon red/pink color. The bassist was playing a really nice looking four-string bass, and they cleared the opening drum set off the stage.

The Black Dahlia Murder
The guy in the Animals As Leaders shirt left before they came on, with a “they’re fucking gaaayyyy” as his exiting remark. We figured we might as well stay, but after a few songs, none of us were really into them. We moved back away from the stage, and just kinda hung out in a calm corner near the back of the theater. I decided that I was gonna go find Obscura’s merch booth, so I told Rebecca and Alex that I was going exploring, and made my way through the crowd to the other side of the pit. It was tough but I finally got to the merch booth, and it was being manned by none other than Steffen Kummerer himself (with Cristian Muenzner, the lead guitar player alongside him). I make eye contact, and point at him, and struggle past the last few people between the table and me, and shake his hand while shouting “you guys are awesome” at him. He nods and thanks me. I point down at the copy of Cosmogenesis sitting on the table, and motion with my hands as best I could to say “if I buy it will you sign it?” He nodded and held up ten fingers. I handed him two fives and he grabbed a cd from under the table, unwrapped it, signed it, then handed it to Christian to sign. I then took my camera out of my pocket, and pointed at myself and then at him and Christian, and he nodded, and gestured for me to come to the far side of the table by him. I had to force my way past a few more people, but I made it to a calm empty spot on the far side of the right speakers, right by the backstage door and the far right side of the stage. You couldn’t see the stage, which is why it was empty, but it worked well for getting a photo.

Christian Muenzner, me, Steffen Kummerer
I looked back out at the sea of people in the pit, and realized that the chances of me surviving a trek back to Rebecca and Alex were very small. I was stuck. So I hung out in the corner where I couldn’t see anything, and the speaker was kind of loud, and waited for The Black Dahlia Murder to finish their less-than-stellar set. I was kind of entertained, however, by the “HEARTBURN” tattooed on the vocalist’s gut that I saw every time he moved into the far left side of the stage (the only part of the stage that I could see). The set ended, and I moved back toward the Obscura booth to really have a conversation with the guys now that we could hear each other. They’re really nice, down to earth guys. Actually, they seem very intelligent and kind of nerdy. I got the sense that they weren’t just goofy partiers like Black Dahlia seem to be. They seemed a lot more refined. Jeroen came out from backstage, and I had him sign my cd and got a photo with him too. I asked about Hannes Grossmann, the drummer, and Jeroen (also a very down to earth, nice guy) told me that he was on his way to the hospital because he had injured his wrist. They were thinking of cancelling the next day’s show! I expressed my concern, thanked all of them, told them again how amazing they were, and then went back and found Rebecca and Alex. We wandered around for a bit, Alex bought an Obscura shirt, and we found ourselves waiting by the Hatesphere table, killing the half hour before our cab was supposed to come. So we started talking to the guys in the band. They were really funny. Definitely a fun group of guys.

Rebecca and I with some of the Hatesphere guys
I felt really bad because they tried really hard to get us to buy some merch from them, but I wasn’t all that into them. I really, really felt bad about it though, because it was their first US tour, and they seemed like they were really enjoying it (and themselves) and I really wanted to support them because they’re trying to make it, living the dream… but, alas, funds are limited, especially for a college student such as myself, and I chose to conserve.
Anyways, we finally go sit outside to wait for the cab, and I notice the daffodils blooming under the sign for Mr. Small’s theater, so I took a picture of them.

While we were sitting out there, the Augury drummer walks down the steps past us, and starts doing something in the van pulling a U-Haul trailer that had been modified to say “Towing? We sell custom bitches! Call us for your bitch.” I went over to him, said hi, told him that he was a phenomenal drummer (which he absolutely is), and we talked for a little bit. He asked my name, and then introduced himself as Tom. Alex came up, introduced himself, and took a photo of us.

Tom McKinnon and me
Turns out, he’s currently just the touring drummer for Augury. He’s part of Humanoid, a progressive acoustic side project by Augury’s founder, and was the drummer for Neuraxis for five years. Very cool guy.
All in all, it was a great night and a memorable show.
We get back, and I went on facebook, but it wouldn’t let me upload my photos (typical…) However, I found Hannes Grossmann. I sent him a message telling him about how I met the rest of the band and they said he was injured and stuff… and he replied! I felt honored that I actually got a personal reply from such an incredible semi-famous musician.
